Nineteenth-Century Disability:  Cultures & Contexts

Browse Items (7 total)

  • Collection: 1798 to 1837

BeckerLibrary_RedConverstionTube.jpg
A conversation tube is a non-electric, acoustic device designed to amplify sounds for deaf or hard-of-hearing individuals and is constructed of a flexible tube with a mouthpiece at one end and an ear piece at the other. The device dates to the…

wordsworth.jpg
William Wordsworth’s (1770-1850) poetry contains several interesting and largely unexplored representations of disability.  One familiar pattern, seen in “Resolution and Independence” (1807) has the speaker of Wordsworth’s poem encountering a person…

PrattPainting.jpg
Despite his resistance to the formal study of painting, William Dunlap’s time in Europe would prove critical to the history of American art because it was at West’s studio in London that Dunlap became acquainted with the foremost artists of the time.…

DunlapSelfPortrait1805.jpg
In these self-portrait miniatures the American painter William Dunlap (1766-1839) depicts the visible sign of his disability: permanent blindness of the right eye resulting from a childhood accident. Dunlap turned his damaged eye away from the viewer…

YorkRetreat.png
In 1791 a female patient, belonging to the Society of Friends, was admitted to the York Asylum. Since her family did not live nearby, they requested that their friends who lived in the city visit her. These visits were refused, and a few weeks later…

Quasimodo2.gif
One of the most well known nineteenth-century fictional representations of disability is that of Quasimodo, the deaf and disabled bell-ringer in Victor Hugo’s 1831 historical novel, Notre-Dame de Paris. The novel quickly became immensely popular,…

webster1.jpg
UK patent #7033, dated 17 March 1836, is the earliest British patent for a hearing aid device, granted to the aurist (19th century term for ear specialist) Alphonso William Webster, for his “curious” invention, the Otaphone (sometimes spelled…
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