Charles Dickens’s Dombey and Son (1846–1848) attests to his career-long interest in chair-bound characters[1]—characters who, because of illness, injury, or egotism, are confined or confine themselves to a “wheeled chair” (alternately referred to as…

Anthony Trollope's The Bertrams (1859) is a rare example of a nineteenth-century novel that depicts a one-eyed female character. Whereas male characters that have missing eyes appear frequently elsewhere in nineteenth-century British…

Published in 1904, H. G. Wells’s novel The Food of the Gods and How it Came to Earth is a tale that depicts ocular prosthesis at its most effective: the minor character Mr. Skinner is only revealed as an artificial eye user after his death, where the…

One of the most recognizable characters in Victorian fiction, “Tiny Tim” Cratchit reappears each Christmas in radioplays, television, stage, and film. Through these cultural reproductions, Tim has come to represent yuletide charity and the reductive…

A Noble Life (1866) is Dinah Mulock Craik’s second novel to feature a disabled protagonist. It resembles her earlier novel, Olive (1850) in representing disability as a spiritually uplifting and morally improving experience, which renders the…

Anthony Trollope’s Barchester Towers (1857), the second novel in his “Chronicles of Barsetshire” series, details the public ecclesiastic conflicts between the newly powerful Evangelicals of the Church and the reigning Tory conservatives. However, the…

While many of Charles Dickens’s novels and nonfiction works depicted people with disabilities, his novel Bleak House, published serially over 1852-1853 and in volume form in 1853, is veritably full of characters with bodies and minds deemed disabled…

Wilkie Collins (1824-1889) was a prolific British writer who was famous for his contributions to the genre of “sensation fiction”   including the popular novels The Woman in White (1860) and The Moonstone (1868). Hide and Seek (1854), from which this…

Charlotte Brontë’s 1847 sensation, Jane Eyre, ends with a dramatic climax in which the hero is blinded and maimed. This ending is often read as a symbolic castration.  Richard Chase first proposed this Freudian reading of Rochester's disabilities in…

Dinah Mulock Craik’s (1826-1887) novel John Halifax, Gentleman (1856) follows John Halifax’s journey from an impoverished orphan boy to self-made tradesman hero. As their friendship unfolds, Phineas Fletcher, the novel’s disabled first-person…