One of the most recognizable characters in Victorian fiction, “Tiny Tim” Cratchit reappears each Christmas in radioplays, television, stage, and film. Through these cultural reproductions, Tim has come to represent yuletide charity and the reductive…

While many of Charles Dickens’s novels and nonfiction works depicted people with disabilities, his novel Bleak House, published serially over 1852-1853 and in volume form in 1853, is veritably full of characters with bodies and minds deemed disabled…

Charles Dickens’s Dombey and Son (1846–1848) attests to his career-long interest in chair-bound characters[1]—characters who, because of illness, injury, or egotism, are confined or confine themselves to a “wheeled chair” (alternately referred to as…

When Dinah Mulock Craik, the author of John Halifax, Gentleman and The Little Lame Prince, wrote her essay, ‘Blind’, about the Association for Promoting the General Welfare of the Blind, in 1861, she was engaging in an active discussion…

A Noble Life (1866) is Dinah Mulock Craik’s second novel to feature a disabled protagonist. It resembles her earlier novel, Olive (1850) in representing disability as a spiritually uplifting and morally improving experience, which renders the…

Thomas Edison’s phonograph was the first machine to reproduce the human voice. In December 1877, Edison’s associates assembled a device on which Edison recorded the words of the nursery rhyme “Mary Had a Little Lamb.” The prototype consisted of a…

References to disability abound in Elizabeth Gaskell’s Mary Barton: A Tale of Manchester Life (1848): Margaret experiences progressive blindness from cataracts (though at the end of the novel she is said to regain her sight); the aging Alice becomes…

Mesmerism[1] was the term used by Victorians for the procedure during which the practitioner, or mesmerist, would fix his or her (usually his) gaze on a subject or make passes over their body in order to treat and even cure disabilities and illnesses…

One of the most well known nineteenth-century fictional representations of disability is that of Quasimodo, the deaf and disabled bell-ringer in Victor Hugo’s 1831 historical novel, Notre-Dame de Paris. The novel quickly became immensely popular,…

As theories of degeneracy[1] gained currency in the latter part of the nineteenth century, literary critics increasingly used rhetoric of pathology (that is, of health and sickness) to discuss authors and their works.[2] As Arata explains, critics…