One of Charlotte M. Yonge’s last great family sagas, The Pillars of the House (1873) prominently features disability. Several of the thirteen orphaned Underwood siblings experience disability or chronic illness: Felix, the eldest, struggles against…

Charlotte Brontë’s 1847 sensation, Jane Eyre, ends with a dramatic climax in which the hero is blinded and maimed. This ending is often read as a symbolic castration.  Richard Chase first proposed this Freudian reading of Rochester's disabilities in…

Wilkie Collins (1824-1889) was a prolific British writer who was famous for his contributions to the genre of “sensation fiction”   including the popular novels The Woman in White (1860) and The Moonstone (1868). Hide and Seek (1854), from which this…

Dinah Mulock Craik’s (1826-1887) novel Olive (1850), features a heroine who has a shoulder deformity but who goes on to establish a career as an artist and to win the love of a Scottish minister whom she rescues from religious doubt. Olive was one of…

Dinah Mulock Craik’s Victorian fairytale The Little Lame Prince and His Travelling Cloak (1874) tells the story of Prince Dolor, whose legs are disabled after a nurse drops him at his christening. Following the death of his father, the king of…

Dinah Mulock Craik’s (1826-1887) novel John Halifax, Gentleman (1856) follows John Halifax’s journey from an impoverished orphan boy to self-made tradesman hero. As their friendship unfolds, Phineas Fletcher, the novel’s disabled first-person…

Our Mutual Friend, first published in serial form from 1864–1865, is a novel that literalises George Henry Lewes’s observation that Charles Dickens’s characters are wooden puppets that are brought to life by incident (“Realism and the Art of the…

One of the most recognizable characters in Victorian fiction, “Tiny Tim” Cratchit reappears each Christmas in radioplays, television, stage, and film. Through these cultural reproductions, Tim has come to represent yuletide charity and the reductive…

While many of Charles Dickens’s novels and nonfiction works depicted people with disabilities, his novel Bleak House, published serially over 1852-1853 and in volume form in 1853, is veritably full of characters with bodies and minds deemed disabled…

Charles Dickens’s Dombey and Son (1846–1848) attests to his career-long interest in chair-bound characters[1]—characters who, because of illness, injury, or egotism, are confined or confine themselves to a “wheeled chair” (alternately referred to as…